The Raven Book Store’s bestsellers for March 19, 2024 (Sponsored post)
”Not even a brand new (and really good!) Tana French novel could stop ’Dune’ from its movie-driven climb to the top spot this week,” the Raven Book Store writes.
”Not even a brand new (and really good!) Tana French novel could stop ’Dune’ from its movie-driven climb to the top spot this week,” the Raven Book Store writes.
Here’s one more achievement Giselle Anatol, recently announced as director of the Hall Center for the Humanities, can add to her CV: No. 1 bestseller at the Raven Book Store.
Emily Farris, a Kansas City author and former bookseller, has written what she calls the first memoir of adult ADHD, and it’s a funny and frank read, the Raven Book Store writes.
”To nobody’s surprise, Sarah J. Maas, BookTok superstar, takes this week’s No. 1 spot,” the Raven Book Store writes.
”Nearly all of this week’s bestseller list is made up of backlist titles, which is what we bookstore folks call all books that are more than a few months old,” the Raven Book Store writes.
“Making a big debut this week is beloved KU English professor Giselle Anatol’s ’Small-Girl Toni and the Quest for Gold,’ an amazingly charming picture book about the early life of Toni Morrison,” the Raven Book Store writes.
”In the end, there was never any doubt about which book would top our bestsellers of the year list,” the Raven Book Store writes. Here are the top 10 books of 2023.
”This week’s bestsellers, without exception, fall into three categories: local nonfiction, Indigenous studies books, or the ‘Iron Flame’ series by Rebecca Yarros. Our readers like what they like!” the Raven Book Store writes.
”We find ourselves on the cusp of any bookstore’s most exciting time of year: holiday retail! The official kickoff (at least in our case) of the holiday season is Nov. 25, known both as Small Business Saturday and Indies First,” the Raven Book Store writes.
It’s all about perspective, Curtis Marsh says. His new book, “KU-phoria,” compiles stories about KU’s history and traditions — but he says the stories would be nothing without the way people felt and experienced them.
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